Musings on metal and its evolving demography


Does the underground metal scene really have a social justice warrior problem?

So, yesterday, Decibel magazine published an article called “Does the underground metal scene really have a social justice warrior problem?” Its a guest-piece from Jeffrey Podoshen, a Ph.D. from Franklin and Marshall College. In the article, Podoshen writes about the black metal film documentary Until the Light Takes Us, which the wife & I saw at least a few years ago. He highlights a scene in the film in which Frost (Satyricon, 1349) demolishes a set and cuts himself, finally revealing to the audience, “I have no problems being self-destructive if the whole thing is something that I like.” Podoshen uses this scene in a course that he teaches called “Evil, Death and Dystopia”, as it sparks discussion.

Frost cutting himself



New Study Declares Folk Metal Racist and Sexist, Sort Of

Metalsucks just posted an article about a paper written by metal scholar Karl Spracklen and published in the Metal Music Studies journal. This particular issue was dedicated to gender, race and class (wifey was going to write a piece for it about ethnicity in metal in the NYC area, but her thesis work made it impossible to finish in time). I haven’t gotten to read the original paper yet, but the Metalsucks article said:

“The basic idea of the study, which was written by Professor Karl Spracklen and published in the journal Metal Music Studies on gender, race and class, is that by focusing on ancient European myths full of Scandinavian warriors who enjoy wenches and mead, folk metal bands create a ‘safe leisure space’ for white European men who in recent decades have been forced to share their power and privilege with women and people of other races.”


The Crossover of Hardcore & Metal

NYHC-cover-freddy-e1406660241721Metal Injection just posted this excerpt from the upcoming book NYHC: New York Hardcore 1980–1990, by Tony Rettman  The excerpt is an interesting read. They posted the chapter about the crossover of hardcore and metal, and it consists entirely of interview snippets from band members and people in the scene at the time. There was a lot of animosity between the two groups, but there was also a blending that, over time, produced a lot of cool bands, albums and songs. Go read it.