Bill McGrath (I’m assuming that’s his name, as his blog is called billmcgrathmusic) wrote the following 3 articles, based on work he did for a paper about the metal scene in Botswana for the ‘Metal and Marginalisation’ conference in the University of York.
- Metal in Botswana: Part One – Overview
- Metal in Botswana: Part Two – Reception
- Metal in Botswana: Part Three – Other Issues, Recommendations, and Sources
They’re a really interesting read – I’d love to get my hands on the paper that he wrote. There are many things mentioned which I thought stood out in comparison with the American and European scenes which are commonly covered by the media. For example, the metal scene there is unified, as opposed to the ones here being segmented by sub-genre; there’s no real thrash presence – the locals seem to have embraced NWOBHM-style metal and then death, for the most part; and there are parallels drawn between their experiences, lyrics and potential topics & themes with those of black metal, which has no foothold in the area yet. It makes me wonder if there’s a style waiting to emerge from the region that will let Africans put their own stamp on metal in the ways that Norway and Sweden did, or even like Vedic metal from India and Southeast Asia are doing now.
Its also encouraging to see that Botswanan metalheads pretty much ignore race. Their focus is on music. It remains to be seen if that will continue as they develop or if it will change over time and with exposure to some of the more hateful acts out there in the rest of the world. For example, will they encounter and maybe even create a reaction to NSBM or galvanize around a perceived cultural identity and begin to grow more prideful of it to the point that an African analogue to Viking metal or white hate metal is born? So far, it doesn’t look like the majority of the bands in the area mix in cultural influences – they basically produce the same metal that would be produced anywhere else. I’m hoping for some kind of distinctive sound to emerge from at least some of the bands though. I like seeing that stuff happen, as it adds variety and expands the lexicon of what metal sounds like.
Here are a few videos of metal bands from Botswana from Youtube:
Skinflint – Mask of the Dead: Its like a stripped-down Iron Maiden. They’re mixed-race and mixed gender.
Skinflint – Dipoko: Still Maidenesque
Skinflint – Gauna (Live in Botswana): Live performance, different drummer
After my post about Botswanan metalheads, I found this 4 1/2 minute documentary on Youtube:
I like how the non-metallers think they’re “spooky” and not normal. I guess, the more things change… 😉
Also, someone made animated gif’s
The other night, wifey sent me the following link to the Archaeology and Material Culture blog. The owner, Paul Mullins, is “a historical archaeologist who studies consumer culture in the last half-millennium.” I like the work he’s doing. Last January, he wrote a piece centered on the attire of metalheads in Botswana. He references the photos and work of Frank Marshall, a South African photographer who has apparently been photo-documenting African metalheads from various sub-genres. There are apparently a lot of Iron Maiden fans. Their garb is interesting. Its what I’d expect when looking at 1980’s post-apocalyptic anime like Fist of the North Star, but with cowboy hats. Women are included as well, although I have no idea what the ratio of male-to-female fans is. Take a look for yourself: